20+ years of visual work
1 point of contact · Budapest
Filming, social, AI renders, websites, graphic design – one pair of hands, one eye. Your campaign says the same thing on every surface, and it is live in 3–4 weeks.
Let us talk about your project[01]How I work
After twenty years I know when something works, and when it is merely finished.
I have spent twenty years in visual work – as a graphic designer, as a photographer, as an estate agent. For seven of those I have been filming, editing and building websites. Now with AI as well. What used to take three studios, five contracts and a project manager now takes one desk. Mine.
I do not work alone because I am small. I work alone because coherence breaks exactly where you hand the work to another pair of hands. The colour of the footage, the light in the AI render, the typography of the website, the rhythm of the brochure – either they come from one eye, or they never quite come together.
With me, they come together from the start.
[03]Why work with me?
Most campaigns fall apart because four or five people work on them – each in a different style. With me, the filming, the social video, the AI render, the website and the graphic design are all in one pair of hands. For you that means one meeting, one point of contact, one deadline – and a campaign your customer experiences as one piece, from the first frame to the last page.
[04]Services
A complete visual campaign in one pair of hands – for a property development, for building a brand, for a product launch. Filming, social video, AI visualisation, website, graphic design: no external partners, nothing passed on, nothing lost in the handovers. You explain what you want once – and it is built that way on every surface.
The most persuasive sales tool your project has. Drone, camera, animation and sound cut into one film with a rhythm – from the shoot to the final frame it all runs through me. Ninety seconds say what a brochure needs twelve pages for.
Vertical, fast-cut short films for social platforms. 9:16, 30–60 seconds – your campaign visuals cut for the phone, where your audience actually scrolls. From the same shoot, without a separate shoot day.
Something to sell before the foundations are poured. Photorealistic exterior and interior renders, lifestyle scenes, site composites – real enough for the buyer to believe. So you can sell during construction, not only after handover.
A home of its own for every project. Mobile-first microsites where the campaign visuals and the technical data speak the same language – and the enquiry is one form away. 86% of visitors to the Zátonyerdő site came from a phone; that is what it is built for.
The print side of the campaign, in the same visual language. Brochures, banners, business cards, sales material – press-ready files, on time. What the buyer saw in the film is what they hold in their hand on site.
[05]Scope
So you don't have to ask: I produce the video, the images and the graphics, delivered ready to publish. Running your social accounts stays with you – but if that's the part that never happens, there's an answer for that too.
One shooting day becomes 8–10 short videos. I write the captions and lay out a calendar for when each one goes live. From there it really is just uploading – as a monthly package, at a predictable price.
Let's talk about it[06]Process
Every step exists so the campaign reaches the market smoothly – no slippage, no surprises. From the first call to launch day you know exactly where we are and what comes next. Fixed project price, schedule agreed up front – no hidden items.
From contract to start. No lengthy onboarding, we get to work.
Feedback loop. Every question, every change request gets a reply within a day.
Every project starts with a long conversation. I need to understand what you are building, who it is for, and what the campaign has to achieve. No assumptions – only the questions that matter.
Before a single frame, render or page is made, we agree on the direction. Visual style, key message, channel mix – so the campaign speaks as one.
Filming, AI visualisation, website and graphic design run in parallel. You see progress every week, not months later – one schedule, and nothing slips into launch week.
This is where the raw material becomes a campaign. Editing, colour, sound, iteration. Your feedback shapes the result – we work until every detail sits where it should.
Launch is not the end. We keep measuring what matters and review what worked. Every campaign teaches something that makes the next one better.
[07]Answers
Everything worth clearing up in advance.
Just write. I am happy to answer anything before we start.
First meeting → concept → production → refinement → launch. The first conversation comes with no obligation; work starts within 3–5 days of the contract, with a detailed schedule. You know exactly when each piece lands on your desk.
Yes – filming, AI visualisation, website, graphic design, all me. The whole campaign in one head: no agency telephone game between five teams, and no chance of the print work speaking a different language from the website.
I work to a fixed project price, VAT-exempt – what you see is what you pay. Prices are in Hungarian forint; I am happy to quote in euros. My 2026 introductory rates: property photography HUF 4,500 per image (you choose which ones I finish), AI visualisation HUF 10,000 per image, AI visualisation video HUF 15,000 per scene (5 scenes cut into a finished 30-second clip: HUF 69,000), property video from HUF 75,000, Reels package from HUF 95,000, a simple landing page from HUF 200,000, a brand film from HUF 260,000, a full campaign (video + AI + web + design) from HUF 1.2 million. Drone footage is a separate item: +HUF 50,000. You get a concrete quote within 3 days of our meeting – no agency margin, no subcontractor chain.
An average project takes 3–4 weeks. The Zátonyerdő campaign was exactly 3 weeks from the first meeting to launch. It can be done faster in a rush, but not at the expense of quality.
Both work. If you only need the video, the AI render or the website, that is fine. The full package pays off where you need one campaign voice across every channel – that is where one person beats four suppliers: one meeting, one deadline, one invoice.
There is a feedback round in every phase – at the concept, at the raw material, at the refinement. I respond to change requests within 24 hours. We work until the result sits where it should.
Yes. Budapest is my base, but I travel anywhere in the country – the Zátonyerdő shoot, for instance, was at Lake Tisza. Travel is a transparent line in the quote. I also work abroad by arrangement.
You do. You get unlimited usage rights to everything delivered – online, in print, and for later reuse. One exception: I show the work in my own portfolio, unless you ask me not to.
